His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." AU $100.00. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Free delivery and returns on eBay Plus items for Plus members. Image of David Williamson standing in front of 'The balcony 2'. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). 272-275, Port Melbourne, 2010, 3 (colour illus. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. Brett Whiteley Self Portrait In The Studio Framed Print . 1928 Dr Alexander Leeper by John Longstaff. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. All Rights Reserved. 2-4, Sydney, 2001, 8. His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. . He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. List of winners. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. cat.no. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. How did his studio inspire Brett Whiteleys art-making? ), 205 (colour detail illus.). This article appears in 'The Arts' section of the newspaper. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Alchemy is the mythical ancient process of turning ordinary compounds into gold. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. Look at this beautiful house and wonderful pictures and things. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. 36. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. Brett Whiteley - portrait 1 1975 Greg Weight. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. From $33.34. [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. A day at Bondi Brett Whiteley . Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. An astonishing exhibition. In retrospect, Whiteleys life and work in the 1970s, when he was widely perceived as Australias leading artist, may be seen as a time of great personal conflict. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Photograph of Brett Whiteley also appears with this article. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). List of works. Art Gallery of NSW. signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Brett Whiteley and the lyricism of the drawn line - in pictures . Shown in 22 exhibitions. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. 'Brett Whiteley 1975. Purchased 1977 Wendy Whiteley, Need caption A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. I think he has done this to make the place seem more realistic because if he had . Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. fig.no. 9. Mervyn Horton (Editor), Art and Australia [vol. Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Related research topic ideas. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. 165-213, Kensington, 1979, 204 (colour illus. It took a great deal of his time and effort, taking about a year of full-time work. The competitions are run annually, with the award ceremonies being held at the Art Gallery of New South Wales. Brush and ink on brown paper 80.5 x 53.5cm. List of journal articles on the topic 'Stanley Press (Firm)'. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. He believed that many of his ideas came from these experiences, and he often used drugs as a way of bringing the ideas from his subconscious. The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. 29-31, Sydney, 20 Jun 1992, 29-31. plate no. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). Michaela Boland., Weekend Australian, 'Master cards', pg. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. All rights reserved. Do you feel you are watching the subject or is the subject watching you? [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. ), 135 (colour illus.). The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. Weight photographed Whiteley throughout the 1970s. Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. . He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. This photograph was taken by Andrew Rankin. [27] The documentary was made with the approval of Wendy Whiteley, and was received with critical acclaim. You entered the wrong email. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Catalogue text. 28-29, Sydney, Mar 2012, 28, 29 (illus.). 6-33, Brisbane, 2004, 22 (colour illus. He soon settled in Lavender Bay. 'Brett Whiteley Self Portrait and Other Intimacies', pg. Balmoral Brett Whiteley 1978. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. 07 Apr 1939 Brett Whitely (Australian 1939-1992) Bio. Jane Hampson, Look, 'wwwhiteley.com', pg. He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Telephone (02) 9225 1734 or 0414 437 588. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. . [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Source: Art Gallery of New South Wales Archive. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. 15-41, London, 1995, 35-36, 145 (colour illus. 232-243, Sydney, 2000, 232 (colour illus.). Scholarly publications with full text pdf download. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. The Self-portrait of 1977 sits squarely between his two Archibald Prize winners: Self-portrait in the studioof 1976, and Art, life and the other thing in 1978. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. He won the Wynne Prize again, in 1984, with The South Coast after rain. On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. 30-35, London, 2013, 31 (colour illus.). A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. 17, Melbourne, Feb 2001, 17 (colour illus.). Artists; A-Z Listing; Art movements; Schools and groups While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958). Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. 9-13, Cammeray, (1995-1996), 9-13. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 30.5 x 25.5 cm. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. Fields marked with an asterisk (*) are required. Get the best deals on Brett Whiteley Art. This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Open daily Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. 8-14, Sydney, 1986, 14, 42 (colour illus.). 44-45, Sydney, Jun 2012, 45 (colour illus.). BRETT WHITELEY An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). This website comprises and contains copyrighted materials and works. 45. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. 2), 'The Archibald Prize', pg. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. The editor of this section was Geraldine Pascall. Brett Whiteley. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. After studying half-heartedly at art school he travelled to Europe on a scholarship. [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. Transmission films. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). List of works . ), 21. Consider the gaze of Whiteley in each of these works. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. 7-106, Sydney, 1994, 80 (colour illus. Donated through. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. 9, Sydney, 07 Sep 2013, 9. This article looks at art reflecting society. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . 63-87, Sydney, 1999, 77 (colour illus. Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. Brett Whiteley is photographed by Robert Walker at. While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. The balcony 2 Brett Whiteley 1975 116.1981. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. 174-195, Oxford, 2001, 190 (colour illus.). Write a list of the things that interest you and your favourite objects. The illustration in this publication is a detail of this image. Whiteley won his first major prize at the age of 20, the Italian Travelling Art Scholarship, awarded by Sir Russell Drysdale. 26-53, Melbourne, 1997, 49 (colour illus. Brett Whiteley with Self Portrait in Studio 1976. Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). His expression is completely blank, as if he wanted only to pause and take stock of himself. Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick Whites list of his loves and hates onto his great portrait of the writer. As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. On 23 November 2017 the book was named the people's choice winner at the Mark and Evette Moran NIB Literary Award. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. 9 Shades of Whiteley is a mini-retrospective exhibition tracing the artist's life and career from his earliest work in 1955, with Self Portrait at Sixteen, to just a few months before his death, with Port Douglas, Far North Queensland 1992.. 105. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Brett Whiteley Studio Collection. The coroner's verdict was 'death due to self-administered substances'. [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. card no. Brett Whiteley is one of Australias most celebrated artists. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. 1978 was the only year in which all three prizes have been won simultaneously by the same person. There are two illustrations of `Self Portrait in the Studio' in this article. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. Closed Good Friday & Christmas day Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. Closed Good Friday & Christmas day Lou Klepac, Brett Whiteley Drawings (2013). Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. No other Australian artist had such a wild, woolly set of curls. His wife Wendy appears as "Delish". He was the youngest living artist to have work purchased by the Tate, a record that still stands. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". Are you being ignored or judged? The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. 20, No. List of works. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm What is Whiteley trying to tell us about himself in his self-portraits? . 102-181, Sydney, 1999, 167 (colour illus.). Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. 3), 'Collecting international art', pg. Subtitled; An extraordinary life. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery.

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